Author: Chimamanda Ngozi Adichie
Description: A personal and powerful essay from Chimamanda Ngozi Adichie, the bestselling author of ‘Americanah’ and ‘Half of a Yellow Sun’, based on her 2013 TEDx Talk of the same name.
What does “feminism” mean today? That is the question at the heart of We Should All Be Feminists, a personal, eloquently-argued essay – adapted from her much-viewed Tedx talk of the same name – by Chimamanda Ngozi Adichie, the award-winning author of ‘Americanah’ and ‘Half of a Yellow Sun’. With humour and levity, here Adichie offers readers a unique definition of feminism for the twenty-first century – one rooted in inclusion and awareness. She shines a light not only on blatant discrimination, but also the more insidious, institutional behaviours that marginalise women around the world, in order to help readers of all walks of life better understand the often masked realities of sexual politics. Throughout, she draws extensively on her own experiences – in the U.S., in her native Nigeria – offering an artfully nuanced explanation of why the gender divide is harmful for women and men, alike. Argued in the same observant, witty and clever prose that has made Adichie a best-selling novelist, here is one remarkable author’s exploration of what it means to be a woman today – and an of-the-moment rallying cry for why we should all be feminists.
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Author: Paulo Coelho
Description: Maktub não é um livro de conselhos, mas uma troca de experiências. A maior parte dos textos se refere a ensinamentos que Paulo Coelho recebeu de seu mestre ao longo de 11 anos. Outros são relatos de amigos ou pessoas desconhecidas que de uma forma ou de outra lhe deixaram uma mensagem inesquecível. Finalmente, existem trechos de livros que ele leu e de histórias que pertencem à herança espiritual da raça humana.
A proposta do autor é reunir um apanhado da sabedoria universal destacando um ponto comum a todas as histórias: a busca da felicidade. Embora o desejo de ser feliz seja relatado em contextos tão diversos, fica fácil concluir que, não importa o lugar ou a época, ele sempre se baseia nos mesmos pilares: amor, humildade, solidariedade e renúncia.
Maktub oferece aos leitores uma oportunidade de refletir e se reencontrar.
Se você está percorrendo o caminho de seus sonhos, comprometa-se com ele. Não deixe a porta de saída aberta através da desculpa: “Ainda não é bem isto que eu queria.” Assuma o seu caminho. Mesmo que precise dar passos incertos, mesmo que saiba que pode fazer melhor o que está fazendo. Se você aceitar suas possibilidades no presente, com toda certeza vai se sair melhor no futuro.
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Author: Ramón María del Valle-Inclán
Description: El primero de los esperpentos escritos por Valle Inclán, nos narra el transcurso de las últimas horas de un poeta ciego, Max Estrella y su perrito faldero alter ego, Don Latino.
El estilo literario de Valle Inclán en esta obra es simplemente magistral, directo, fluído, con unas descripciones y acotaciones que deshumanizan a los personajes, dotándolos de un comportamiento casi animal a veces, lo que nos deja con una impresión más que miserable de ellos. Sus ganchos verbales, sin miramiento alguno, golpean a cualquier personaje contemporáneo importante que se lo tenga merecido.
Valle Inclán se sirve de sus recursos literarios para deformar su visión de la sociedad para crear el esperpento, donde yo veo una clara influencia anarquista y ganas de romper con el orden establecido. Distorsiona la imagen de la sociedad que le tocó vivir de una manera burlesca exagerada, con el esperpento consigue hacernos llorar y sonreír casi al mismo tiempo, solapando emociones encontradas. Hace una crítica generalizada usando la textura estética de lo grotesco,
y es que según Max “El sentido trágico de la vida española sólo puede darse con una estética sistemáticamente deformada”.
La profundización psicológica que hace con los personajes consigue dotarlos con unas marcadas personalidades, y no puedes evitar sentir la amargura que los llena y es que junto con la desproporcionada expresividad cómica que tienen crean la base estable del esperpento.
La deformación lingüística también ayuda a la creación del esperpento y es que el habla usada en la obra es complicada, un constante encontronazo de diferentes estratos sociales, desde el artista cultivado hasta la del obrero, la del burgués o el lenguaje típico del desaliñado bohemio. Podemos ver retazos de múltiples parlantes, el ministro, el preso catalán, la lotera, las prostituta o el sereno representados con cultismos, frases hechas, gitanismos, arrabalerismos…
Valle Inclán nos lleva con esta obra por el ambiente madrileño más sórdido y bohemio, de tertulias de cafetín y nos muestra a través de su tamiz burlesco, exagerado y paródico una sociedad deformada y necesitada de un cambio urgente, mientras las calles llenas de vidrios de farolas rotas, hordas de jornaleros en huelga y unas incipientes revueltas sociales, ven como pasan las últimas horas de la vida de Max Estrella, un poeta ciego venido a menos que se toma a broma su propia muerte.
Una obra maestra de la literatura española, que todo el mundo debería leer.
The first of Valle Inclan’s “theatre of the grotesque” works, it tells us about the last hours of a blind poet, Max Estrella, and his alter ego, Don Latino.
Valle Inclan’s literary style in writing this work is just simply masterly, direct, fluent and with a series of descriptions and comments that dehumanize the characters, giving them at sometimes somewhat animal behaviour, leaving us with a more than miserable impression of them. His verbal hooks, with no remorse whatsoever, hit any relevant person of his time who should deserve it.
Valle Inclan uses his literary resources to deform his vision of society to create the so called “theatre of the grotesque”, where I at least see a clear anarchist influence, and the meaning of breaking with the established order of things. He distortes the image of the society he has to live in, in an exaggerated burlesque way, and through the Theatre of the burlesque he manages
to overlap different emotions and make us shed a tear and a wear a smile at the same time. He makes a general criticism using the grotesque aesthetic texture, and as Max himself says at one point “The tragic sense of the Spanish life can only be given through a sistematically deformed aesthetic”.
The psychologichal development he gives to the characters manages to give them some very strong personalities and you cant not help but feel the same bitterness that fills them, and that together with the out of proportion comic expression they have, creates the solid foundation of the theatre of the grotesque.
Valle Inclán with this work takes us along the most sordid and bohemian Madrid of the 20’s, of cafeteria tertulia, and shows us through his exaggerated, parodic and burlesque sive a deformed society that is very in need of a urgent change, while the streets with floors full of broken glass, workers on strike and incipient social riots, see how the last hours of Max Estrella’s life, a run down blind poet, come to an end.
A Spanish literature golden treasure that everybody should read.
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